593-601: Dawn of new era awakens the sleeping giant
601: 29 Girls celebrate Kevin
601-3: Morning newspaper carries the story of HCE's indiscretion
603-6: St. Kevin the hermit meditates in his bathtubaltar
606-9: The park scene of HCE's indiscretion revisited
609-13: Muta and Juva watch the encounter of St. Patrick and the Archdruid
613-15: Morning brings the cycle to its beginning
615-19: The Letter signed by ALP is in the morning mail
Anna Livia's final soliloquy as she goes out to to sea
Detailed Analysis of Page 593 of Finnegans Wake
Summary
Page 593 opens with a climactic and ritualistic invocation, marking a transition toward the book’s conclusion. The page is rich with imagery of dawn, resurrection, and renewal, combining Hindu, biblical, Irish, and mythological elements to evoke a universal awakening. Joyce's language reflects the blending of cosmic and local, eternal and immediate, in his dreamscape. The tone is both celebratory and cryptic, embodying the book's themes of cyclical time and transformation.
Line-by-Line Analysis
593.01
"Sandhyas! Sandhyas! Sandhyas!"
- The repeated invocation of "Sandhyas" references the Sanskrit term for twilight or the transitional moments of dawn and dusk, aligning with Joyce's recurring theme of liminality.
- This invocation parallels Hindu rituals, connecting Eastern philosophy to Joyce's universalist vision.
593.02-593.03
"Calling all downs. Calling all downs to dayne. Array! Surrec- tion!"
- The "downs" evoke fallen states, both physical (valleys, depressions) and metaphorical (decline or sleep), now summoned to rise ("dayne," a pun on "dawn").
- "Surrection" implies resurrection, reinforcing Christian echoes of renewal, with HCE's own story paralleling death and rebirth.
- The phrase "Eireweeker to the wohld bludyn world" transforms the Irish term Éirí (to rise) into a global call to action, linking Ireland to universal resurrection.
593.04
"Phlenxty, O rally!"
- "Phlenxty" references Planxty, a type of Irish tune composed in celebration. The word "rally" suggests a call to unite or gather, echoing political, religious, and cultural mobilisation.
593.05
"Seek you somany matters. Haze sea east to Osseania. Here!"
- This line portrays a hazy, dreamlike exploration, blending geographical and metaphysical journeys. "Osseania" could refer to Oceania, expanding the text’s global vision.
593.06-593.07
"Tass, Patt, Staff, Woff, Havv, Bluvv and Rutter."
- A list of fragmented names or roles, possibly representing characters, symbolic archetypes, or mythological figures.
- "The smog is lofting" indicates clarity emerging from confusion, a recurring motif of illumination in Finnegans Wake.
593.08-593.09
"And already the olduman's olduman has godden up on othertimes to litanate the bonnamours."
- "Olduman's olduman" suggests generational continuity, echoing themes of ancestry and cyclical renewal.
- "Litanate the bonnamours" combines litany (prayer) with "bonnamours" (good loves), implying a ritual of joy or reconciliation.
593.12-593.13
"The old breeding bradsted culminwillth of natures to Foyn Mac- Hooligan."
- "Foyn MacHooligan" appears to be a playful Irishisation of mythic or historical figures, representing a leader or primal force.
- The phrase captures the fertility and vitality of nature and its culmination in human and mythic characters.
593.14-593.15
"Clogan slogan. Quake up, dim dusky, wook doom for husky!"
- "Clogan slogan" echoes the rhythmic chant of Irish oral traditions.
- "Quake up" blends "wake up" with seismic activity, reinforcing the urgency of renewal.
593.16-593.18
"Confindention to churchen. We have highest gratifications in announcing to pewtewr publikumst of pratician pratyusers..."
- "Confindention" merges confidence and confession, addressing both religious and secular audiences.
- The announcement reflects Joyce's satirical tone, parodying institutional proclamations.
593.19-593.20
"A hand from the cloud emerges, holding a chart expanded."
- This biblical image recalls divine intervention, echoing motifs from Genesis and other scriptural revelations.
- The "chart expanded" symbolises cosmic knowledge or a map of the Wake’s labyrinthine narrative.
593.21-593.23
"The eversower of the seeds of light to the cowld owld sowls that are in the domnatory of Defmut..."
- "Eversower" reflects themes of creation and renewal, possibly referencing HCE as a mythic or divine figure.
- "Cowld owld sowls" (cold old souls) and "domnatory of Defmut" (dormitory of the mute/dead) suggest a state of spiritual dormancy awaiting awakening.
593.24
"Pu Nuseht, lord of risings in the yonderworld of Ntamplin, tohp triumphant, speaketh."
- "Pu Nuseht" (anagram of "The Sun Up") continues the theme of resurrection and dawn.
- "Ntamplin" and "tohp" (possibly Temple and Top) suggest ascension and divine authority, blending Christian and mythological symbolism.
Themes and Motifs
Resurrection and Renewal
- The call to rise, both literal and symbolic, dominates the page, connecting Irish myths, Christian theology, and Eastern philosophies.
Irish Identity and Global Vision
- References to Irish words and rhythms, like "Phlenxty" and "Foyn MacHooligan," highlight local identity while embedding it in universal themes.
Liminality and Transition
- The recurring invocation of dawn (a transitional moment) mirrors the Wake’s preoccupation with cyclical beginnings and endings.
Cosmic Imagery and Creation
- Biblical and mythological elements, such as the hand from the cloud and the seeds of light, evoke grand themes of creation and divine order.
Playful Language
- Joyce's puns and portmanteaux, like "Confindention" and "bonnamours," embody the Wake’s linguistic inventiveness, blending humour with profound meaning.
Conclusion
Page 593 encapsulates Finnegans Wake’s grand themes of resurrection, cyclical time, and the unity of opposites. It draws on Irish cultural references, biblical imagery, and global mythologies to create a richly layered text. Through playful language, Joyce invites readers to engage in the ritual of renewal, blending the personal and universal in his intricate tapestry.